glavni program
“u samoći pamučnih polja”
Država: Poljska
Akademija: Nacionalna akademija dramskih umetnosti „The Aleksander Zelwerowicz” u Varšavi
Režija: Maciej Jaszczyński
Tehnička podrška: Hanna Wojtóściszyn
Izvođači:
Helena Rząsa
Jan Sałasiński
Datum i vreme izvođenja: 20.05.2024, 19:30h
Trajanje: 50”
Mesto izvođenja: Umetnički paviljon ,,cvijeta zuzorić”
Tagline: Urbana meditacija usmerena na upoznavanje vaše najveće želje.
REČ SELEKTORA
Jedna od najznačajnijih savremenih drama „U samoći pamučnih polja” francuskog pisca Bernara-Mari Koltesa na prvi pogled deluje zahtevno i neshvatljivo, pogotovo zamišljati je na pozorišnoj sceni. Međutim, i pored filozofskog aspekta, rasprava o otuđenju i nasilju, u ovom komadu definisana je jasna situacija: Kupac i Diler sreću se u mračnom kraju grada kako bi izvršili razmenu nepoznate robe. U njihovom suočavanju, koje dovodi do ispitivanja granica čovekovih strahova i nesigurnosti, pojam razmene nema samo pomenuto bukvalno značenje – gledalac je sve vreme svedok izuzetno napetog, uzbudljivog i dirljivog verbalnog sukoba dva lika. Iako nam je poreklo, način života likova, pa čak i čime trguju nepoznato, Kupac i Diler govore nam sasvim dovoljno o tome ko su oni. Sastajanje dva stranca i njihov razgovor o sputanim željama otkriva prepoznatljivu čovekovu ranjivost, kao i potrebu pojedinca da pronađe ljubav i emotivnu sigurnost.
Izvedba komada „U samoći pamučnih polja”, u režiji Maciej Jaszczyński, donosi nam ovu priču u drugačijem konceptu od očekivanog. Koristeći savremene tehnologije, reditelj uspeva da smesti ovu suludu pseudo-radnju u današnjicu i da povuče paralelu sa problemima savremenog društva.
reč reditelja
Izgubljeni u tamnoj noći, kupac i prodavac. Nije jasno šta žele da kupe niti šta žele da prodaju. Niko ne zna ko su ni kako su dospeli ovde. Ipak, nešto ih je spojilo i ne dozvoljava im da se rastanu. Kažu da imaju želju, želju koja se ne može ni kupiti ni prodati. Želja koja se nikada ne može ostvariti pa čak ni izgovoriti. Ipak, posvećuju sat svog života tome da budu jedno uz drugo, jedno pored drugog, ali se ne usuđuju ni na trenutak ćutati. Stalno izbacuju reči koje, paradoksalno, imaju smisla. Ipak, ono što se krije ispod, čega su oboje svesni, izaziva stanja trenutnog zaborava i otvorenosti prema drugoj osobi. Međutim, srećnog kraja neće biti.
JUST SAY IT
Država: Bugarska
Akademija: Nacionalna akademija dramskih i filmskih umetnosti u Sofiji
Režija: Elena Zamfirescu
Asistent režije: Alexander Kalinov
Tehnička podrška: Alexander Topencharov
Izvođači/ plesači:
Pavel Stefanov
Marina Atanasova
Ralitsa Nikolova
Iliana Gamincheva
Diana Petrova
Delyana Ivelinova
Daniela Zamfirova
Greta Georgieva
Desislava Ivanova
Datum i vreme izvođenja: 21.05.2024, 19:30h
Trajanje: 45”
Mesto izvođenja: BITEF Teatar
Tagline: Impresivna plesna alegorija života - put u kome se početak i kraj preklapaju.
REČ SELEKTORA
Predstava „Just Say It” se kroz pokret bavi snažnim emocijama, strahovima i svime što život sa sobom nosi. Ona odiše visokim stepenom usklađenosti plesnog izraza sa muzikom i scenografijom, te u kompoziciji ovi elementi dovode do buđenja emocija i strahova koje su u srži ljudski i od kojih (ne)svesno bežimo - strah od povezanosti, od smrti, beg od sebe i sudbine. Snaga ove predstave ogleda se u njenoj moći da kod gledalaca pokrene lavinu misli i osećanja koja mogu biti deo kako kolektivnog, tako i individualnog doživljaja sveta i života.
REČ REDITELJA
„Just Say it” je impresivna plesna alegorija života, putovanje kroz koje se početak i kraj preklapaju i međusobno prožimaju. Putovanje je prikazano kroz lepotu pokreta, plesni jezik koji odlikuju usklađenost, poetičnost i ritmičnost. Magija predstave „Just Say It” leži u njenoj otvorenosti za interpretaciju i učitavanje emocija kao osnove ljudskosti kroz pokret.
“Insektum ili postoje insekti
koji plešu”
Država: Grčka
Akademija: Aristotelov univerzitet u Solunu
Režija: Yannis Didaskalou
Tekst: Stelina Cash
Dizajner svetla: Fani Polyxeni Kourtidou Vlachogianni
Dizajner zvuka: Antonis Capette
Scenograf: Marina Konstantinidou
Izvođači:
Dimitrios Louizidis
Datum i vreme izvođenja: 22.05.2024, 19:30h
Trajanje: 60”
Mesto izvođenja: Bitef teatar
Tagline: Koja je cena traženja uspeha?
reč selektora
Da li je ovo kraj ili početak? Gledajući ovu predstavu spoznajemo činjenicu da se stalno susrećemo sa uspesima i neuspesima, ali i da je neuspeh jednako važan kao i uspeh, ako oni uopšte postoje. Ili se to jednostavno zove – život?
reč reditelja
Dimitris je glumac koji se bliži kraju studija pozorišta ili novom početku. Mikos je takođe imao san koji je ostvario - njegov luksuzni toalet. Ali šta se dešava nakon što postigneš sve? Za čim žudeti? Dimitris i Mikos koegzistiraju vezani za konopac za penjanje, deleći potrebu za razgovorom. Ništa te ne može naterati da stojiš u visini očiju osim stopala i možda svog srca. Onda ti je, međutim, potreban konopac koji će te držati u onim trenucima kada tvoja stopala ne mogu da nastave. To ne znači da nećeš pasti – pad je ipak blagoslov: gledaš sebe odozdo, kao kad si bio malo dete.
dramaturgova napomena
Život u luksuzu. Sreća. Ograničenja. Postoji li nešto kao samospoznaja? Ako da, šta je to? Šta da radi čovek, kad u svemu uspe? Dimitris piše svoju tezu, a Mikos prelistava svoj životni dnevnik tražeći nešto. On ne zna šta traži, ali opet niko ne zna dok mu se nešto ne donese. Mikos nailazi na svoj posao, svoj dom, svog partnera i prestaje da se pita „koliko vredi ova stvar koja se zove život”. Ovo pitanje je pokrenulo scenski pristup koji pokušava da razmrsi konopac koji povezuje ove ljude - konopac za penjanje koji sputava i glumca i karaktera i nameće komunikaciju, dok istovremeno proširuje postojeći jaz između njih.
varšava u plamenu
Država: Poljska
Akademija: : Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw
Režija: Ada Branecka
tehnička podrška: Katarzyna Renes
Izvođač: Kacper Jan Lechowicz
Datum i vreme izvođenja: 23.5.2024, 20h
Trajanje: 75’
Mesto izvođenja: anti shop elektropionir
Tagline: čaša dobrog razgovora koja puca na predrasude
reč selektora
Koliko je teško biti drugačiji u zemlji koja diktira isto? Koliko je hrabro hodati uspravno, kada telo odbija o sebe uvrede, odbacivanja, neprihvatanja? Ovo je priča o jednom uzbudljivom putovanju za prava, jednakost i slobodu, ne samo pripadnika LGBTQ+ zajednice, nego i svakoga ko se nađ u sličnoj situaciji. Dozvolite Melini da vas provede kroz magičini, gotovo kabaretski kurs za ,,hodanje usparvno".
reč autora
„Varšava u plamenu“ nudi uron u život Meline, dinamične drag kraljice poreklom iz Varšave, Poljska. Kroz njen uzbudljiv narativ, Melina opisuje svoje lično putovanje dok istovremeno osvetljava šire borbe koje LGBTQ+ zajednica suočava u Poljskoj.
Predstava istražuje Melinin odrast i ističe njene izazove sa samoprihvatanjem i društvenim očekivanjima u konzervativnom okruženju. Ona hrabro deli svoja iskustva izlaska iz ormara, uključujući bolno odbacivanje od oca, što je dovelo do njene proteranosti iz kuće.
„Varšava u plamenu“ poziva publiku da se suoči sa svojim sopstvenim predrasudama, podstičući empatiju i razumevanje za raznolika iskustva unutar LGBTQ+ zajednice. U svetu gde diskriminacija i dalje postoji, Melinin priča služi kao moćan podsetnik na važnost borbe za ljubav, jednakost i pravdu.
reč rediteljke
Jedan je naizgled običan dan u kući Zvonimira Fištrovića. Naš glavni i jedini junak Zvone dovršava čitanje knjige koja ga toliko očara i fascinira da odluči napisati vlastitu knjigu i postati slavni pisac. Zvone se upušta u tu avanturu, ali nailazi na mali problem kada se treba odlučiti o čemu će pisati. Pod svaku cijenu želi napisati knjigu i izraziti svoju kreativnost. Svim silama, u svoja četiri zida, pokušava pronaći inspiraciju u svemu što vidi oko sebe. Koliko daleko odlazi u svom naumu, te hoće li uspjeti inspirirati se i napisati svoju prvu knjigu saznaj u ovoj lutkarskoj poslastici za odrasle.
“In the solitude of the
cotton fields”
Country: Poland
Academy: The Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw
Director: Maciej Jaszczyński
Technical support: Hanna Wojtóściszyn
Performers:
Helena Rząsa
Jan Sałasiński
Date and time: 20.05.2024, 19:30h
Duration: 50”
Place: art pavilion ,,cvijeta zuzorić”
Tagline: Urban meditation aimed at knowing your greatest desires.
cURATOR’S statement
One of the most significant contemporary plays, "In the Solitude of the Cotton Fields" written by the French writer Bernard-Marie Coltes, seems demanding and incomprehensible at first glance, especially imagining it on stage. However, despite the philosophical aspect of the text, the discussion on alienation and violence defines a clear narative: the Buyer and the Dealer meet in a dark part of the city in order to exchange unknown goods. In their confrontation, which leads to the examination of the limits of human fears and insecurities, the notion of exchange does not only have the mentioned literal meaning - the viewer is constantly witnessing an extremely tense, exciting and moving verbal conflict between the two characters. Although the origin, the lifestyle of the characters and even what they trade are unknown to us, the Buyer and the Dealer tell us quite enough about who they are. The meeting of two strangers and their conversation about restrained desires reveals a recognizable human vulnerability, as well as the individual's need to find love and emotional security.
The performance of the piece "In the Solitude of the Cotton Fields”, directed by Maciej Jaszczyński, encapsulates the story in a manner different than expected. Using modern technologies, the director manages to place this insane pseudo-plot in the present day and to draw a parallel with the problems of modern society.
Director’s statement
Lost in the dark night, the customer and the dealer. It's not clear what they want to buy nor what they want to sell. No one knows who they are or how they got here, yet something has drawn them together and won't let them part. They say they have a desire, a desire that cannot be bought or sold. A desire that can never be realized or even spoken, yet they devote an hour of their lives to being with each other, next to each other, but they don't dare even have a moment of silence. They constantly throw out words that paradoxically make sense. Nevertheless, what hides underneath, what they are both aware of, induces states of momentary oblivion and openness to the other person. However, there will be no happy ending.
just say it
Country: Bulgaria
Academy: National Academy of Film Arts
Director: Elena Zamfirescu
Assistant director: Alexander Kalinov
Light technician: Alexander Topencharov
Performers:
Pavel Stefanov
Marina Atanasova
Ralitsa Nikolova
Iliana Gamincheva
Diana Petrova
Delyana Ivelinova
Daniela Zamfirova
Greta Georgieva
Desislava Ivanova
Date and time: 21.05.2024, 19:30h
Duration: 45”
Place: BITEF Theatre
Tagline: An impressive dance allegory of life, a journey where the beginning and the end overlap.
curator’s statement
The performance "Just Say It" delves, through movement, into powerful emotions, fears and everything that life brings. It exudes a high degree of harmony between the dance expression, music and stage design in such a way that in composition, these elements lead to the awakening of emotions and fears that are at the core of human existence and from which we (un)consciously flee - fear of connection, fear of death, escape from oneself, and destiny. The strength of this performance lies in its ability to trigger a cascade of thoughts and feelings in the audience that can be part of both the collective and the individual experience of the world and life.
director’s statement
"Just Say It" is an impressive dance allegory of life, a journey where the beginning and the end overlap and intertwine. The journey is depicted through the beauty of movement, a dance language characterized by harmony, poeticism and rhythm. The magic of the performance "Just Say It" lies in its openness to interpretation and the loading of emotions as the basis of humanity through movement.
“insectum or there are insects that dance”
Country: Greece
Academy: Aristotle University of Thessaloniki
Director: Yannis Didaskalou
Text: Stelina Cash
Light designer: Fani Polyxeni Kourtidou Vlachogianni
Sound designer: Antonis Capette
Scenographer: Marina Konstantinidou
Performers:
Dimitrios Louizidis
Date and time: 22.05.2024, 19:30h
Duration: 60”
Place: BITEF Theatre
Tagline: What is the cost of seeking for success?
curator’s statement
Is this the end or the beginning? Watching this play, we realize the fact that we constantly encounter successes and failures, and failure is just as important as success, if they exist at all. Or is this simply called - life?
director’s statement
Dimitris is an actor who is approaching the end of his theatrical studies, or a new beginning. Mitsos also had a dream which he accomplished. His lux toilet. But what happens after you accomplish everything? What is there to long for? Dimitris and Mitsos co-exist, bound to a climbing rope, sharing the need to talk. Nothing can make you stand at eye level except for your feet, and maybe your heart, but then you need a rope to keep you standing in those moments when your feet cannot keep going. That, however, does not mean that you won’t fall - falling is a blessing after all: you look at yourself from down below, just like when you were a little child.
dramaturge’s note
Life of luxury. Happiness. Restraints. Is there such a thing as self-realization? If yes, what is it? What can a person do when he/she succeeds in everything? Dimitris is writing his thesis and Mitsos is looking through his life’s diary searching for something. He does not know what he is looking for, but then again nobody knows until something is brought before him. Mitsos stumbles upon his work, his home, his partner and he stops wondering "how much this thing called life is worth". This question triggered a stage approach that is looking to untangle the rope that binds these people together - a climbing rope which restrains both the actor and the character and imposes communication while simultaneously widening the existing gap between them.
warsaw is burning
Country: poland
Academy: Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw
Director: ada branecka
tehnical support: katarzyna renes
Performer: kacper jan lechowicz
Date and time: 24.5.2024, 20h
Duration: 75’
Place: anti shop elektropionis
Tagline: A glass of good conversation that shatters prejudices.
curATOR’S STATEMENT
How challenging is it to be different in a country that dictates conformity? How brave is it to walk tall when your body rejects insults, rejections, and non-acceptance? This is a story of an exhilarating journey for rights, equality, and freedom, not only for members of the LGBTQ+ community but for anyone who finds themselves in a similar situation. Let Melina guide you through a magical, almost cabaret-like course on "walking tall."
autor’s statement
"Warsaw Is Burning" offers an immersive exploration into the life of Melina, a dynamic drag queen originating from Warsaw, Poland. Through her captivating narrative, Melina recounts her personal journey while shedding light on the broader struggles faced by the LGBTQ+ community in Poland.
The performance delves into Melina's upbringing, highlighting her challenges with self-acceptance and societal expectations in a conservative environment. She bravely shares her experiences of coming out, including the painful rejection from her father, which led to her expulsion from home.
"Warsaw Is Burning" invites audiences to confront their own biases and prejudices, fostering empathy and understanding for the diverse experiences within the LGBTQ+ community. In a world where discrimination persists, Melina's story serves as a powerful reminder of the importance of standing up for love, equality, and justice.
Asdfdfggggg
Država: Hrvatska
Akademija: Akademija za umjetnost i kulturu u Osijeku
Režija: Ivana Vukićević
Izvođači:
Grgur Grgić
Dominik Karaula
Davor Tarbuk
Lorenco Tolić
Datum i vreme izvođenja: 24.5.2024. 19:30h
Trajanje: 40”
Mesto izvođenja: Hartefakt
Tagline: Da li je čovek sam sebi dovoljan da postane izvor vlastite inspiracije?
reč selektora
Koliko kopanja po sopstvenim uspomenama, iskustvima i osećanjima je dovoljno da bismo došli do srži - izvora inspiracije? šta ako se ne kraju tog tunela ipak ne nalazi svetlo?
Posebna čar predstave „Asdfdfggggg” leži u mikro univerzumu stvorenom na sceni - mali prostor koji predstavlja dom malog junaka, lutke Zvoneta. Ova lutkarska predstava za odrasle se na duhovit i iskren način bavi pitanjem (ne)mogućnosti pronalaženja inspiracije i potragom koja je svojstvena svakom kreativnom biću.
asdfdfggggg
Country: Croatia
Academy: The Academy of Arts and Culture in Osijek
Director: Ivana Vukićević
Animators:
Grgur Grgić
Dominik Karaula
Davor Tarbuk
Lorenco Tolić
Date and time: 24.5.2024. 19:30h
Duration: 40”
Place: Heartefact
Tagline: Can a person be self-sufficient as a source of their own inspiration?
curator’s statement
How much digging into our own memories, experiences and emotions is enough to reach the core - the source of inspiration? What if at the end of that tunnel there is still no light?
The special charm of the play "Asdfdfggggg" lies in the microcosm created on the stage - a small space representing the home of a little hero, the puppet Zvone. This puppet show for adults humorously and honestly explores the question of (un)finding inspiration and the search inherent in every creative being.
director’s statement
It's just an ordinary day in the house of Zvonimir Fištrović. Our main and only hero, Zvone, finishes reading a book that captivates and fascinates him so much that he decides to write his own book and become a famous writer. Zvone embarks on this adventure, but encounters a small problem when he has to decide what to write about. He is determined to write a book and express his creativity at all costs. With all his might, within his four walls, he tries to find inspiration in everything he sees around him. How far will he go in his endeavor and will he succeed in finding inspiration and writing his first book? Find out in this puppetry treat for adults.
